Architecture: Research Guide

서울건축포럼에서 2월 26일, 한국건축비평의 회복 네 번째 세션을 개최한다. 9명의 건축비평가가 진행하는 한국건축비평의 회복은 한국 건축의 내실을 다지고 참신한 건축가 발굴과 조명을 목표로 기획되었다. 시각적 이미지로 휘발되고 있는 한국건축의 본질을 돌아보고, 신진 건축가의 발굴과 건강한 비평 문화를 지향하며 2025년에 처음...

제주현대미술관에서 2월 6일부터 〈제주체-김석윤 건축전(展)〉을 개최판다. 이번 전시는 제주의 대표 작가이자 제...

바우하우스의 핵심 인물이자 20세기 디자인 교육의 혁명가 라슬로 모호이너지가 남긴 마지막 저서이자 그의 교육 철학을 집대성한 유일한 저서 『모호이너지의 움직이는 시각』의 한국어판이 출간됐다. 1947년 미국 시카고에서 처음 출간된 이 책은 텍스트와 이미지를 정교하게 배치한 아트북으로 한국어판 또한 원서의 편집 디자인을 충실히...

“When the phrase ‘the trees prevent us from seeing the forest’ is repeated, its exact meaning may not be understood. Perhaps the mockery behind the phrase backfires on the person who utters it. The trees prevent us from seeing the forest, and thanks to that, the forest exists. The mission of the visible trees is to keep the rest latent, and only when we realize that the visible landscape hides other invisible landscapes do we feel ourselves to be inside a forest.”— Meditations on Don Quixote. Depth and Surface — José Ortega y Gasset (1914)

Although modest in scale, the project is set within a remarkable context. It seeks to link two building wings constructed in the early 20th century, whose architecture evokes the spirit of the *Belle Époque*.

At the edge of the historic Nimmerdor forest in Amersfoort, Dutch studio Space&Matter has completed Common Woods, a circular and nature-inclusive neighborhood comprising 56 homes. The neighborhood combines villas, semi-detached houses, and apartments across social, mid-range, and private housing, with the aim of promoting social inclusion and a strong sense of community.

Can architecture be built from food? Between the fire that warms, the smells that spread, and the bodies that gather around the table, the apparent banality of cooking and eating reveals itself as a choreographed dance of spatial appropriation and belonging. These gestures organize routines, produce bonds, and transform the built environment into lived place. The kitchen—domestic, communal, or urban—thus ceases to be merely a functional space and affirms itself as a territory of encounter.

The Van der Vlugt Residence, a highly acclaimed project by renow ned Miami-based firm S TRANG, has set a global benchmark for resilient modern architecture. Its status is cemented by significant, high-profile recognition, notably the AIA Florida Award of Excellence for New Work, AIA Miami Award of Excellence in Residential Architecture, and its selection as a World Architecture Festival Finalist. This prestige is further amplified by its selection as the subject of the pilot episode for Sarasota School: A Living Legacy, a new documentary series by Architecture Sarasota that will further convey the home's status as a critical piece of 21st-century design.

In a Park is a renovation of an original three-bedroom apartment located in the northeast region of Singapore, designed for a horticulturist client.

Buildner is pleased to announce the results of its Architect's Chair Competition Edition 4, an annual international competition that invites architects and designers worldwide to submit designs for a signature chair. Following in the footsteps of iconic figures like Charles and Ray Eames, Ludwig Mies van der Rohe, Marcel Breuer, and Arne Jacobsen, participants are tasked with creating custom chairs that reflect their unique design philosophies and visions.

New renderings released by WEISS/MANFREDI reveal updated plans for the ongoing transformation of the La Brea Tar Pits in Los Angeles, a comprehensive redesign that integrates the museum, landscape, and active excavation areas into a continuous public and research-oriented campus. Alongside the design update, the Natural History Museums of Los Angeles County (NHM) has announced the creation of the Samuel Oschin Global Center for Ice Age Research, a new initiative supported by the Samuel Oschin Family Foundation, which advances the site's long-term redevelopment. The transformation project is led by WEISS/MANFREDI as design lead for the museum and park, with Gruen Associates serving as executi..

An existing 40-year-old office building is stripped back to its structure and completely reimagined for the present. The original massing logics are recovered and emphasized. What used to be a confusing and run-down muddle of geometric clashes is now untangled and rearticulated as if the building is composed of twelve separate buildings, each with its own cladding logic and interior atmosphere.